DryBell The Engine Review – Get Killer Vintage British Tone!

DryBell The Engine is a British-made, boutique guitar amplifier that promises to give you the vintage British tone you’ve been searching for. The amp was designed by a musician and amplifier builder with over 25 years of experience, and it comes with a decade’s worth of warranty and support. DryBell The Engine is made from carefully selected parts, and all the circuitry is hand-built in England.

What Is The Engine?

The Engine is a unique and innovative stompbox that allows you to use each side of the pedal independently, but the real magic happens when you use them simultaneously. This Croatian company has created a pedal that allows you to emulate the sounds of classic British distortion circuits (the A-Side) and range boosters (the B-Side).

By using both sides simultaneously, DryBell the engine allows you to create infinite combinations of distortion tones that are impossible with other pedals on the market.

Two separate circuits are configurable to allow distortion signal feeding into the range booster or with. This allows for greater control over the distortion signal and can produce more desirable tones.

Who Is This Pedal For?

This article intends to provide insight into how to dial in the best possible sixty British overdrive or distortion, no matter which amp they are plugged into. This can be done by understanding how each amp works and then tweaking it to perfection.

Vintage Marshall Plexi amps sound good at lower volumes, but they start to sound even better as you crank the volume. If you want to achieve the perfect sound with a Plexi amp, regardless of the volume level you are playing at, you will need to understand how each one works and tweak it accordingly.

How Does The Engine Work?

The Engine is a foundation preamp that allows you to use each of its two channels independently or in combination; an Engine is a great option. The channels can be combined in both directions (A B or B A) to give you the full range of possible sounds. It also has two independent gain controls, so you can get precisely the level of distortion and overdrive you’re looking for.

Side A – The British Distortion Channel:

For anyone who loves the sound of classic British amps, Side A is your perfect solution. This preamp allows you to easily recreate the sounds of Marshall, Vox, Orange, and other famous amps of the 60s. With Level, Gain, Tone, and Shape controls that allow you to tweak each parameter to perfection, this unit can produce a wide range of sounds from mild distortion to raging overdrive.

Whether you’re looking for that authentic British tone or want to add a little extra oomph to your rig, Side A is the perfect option.

Side A is the active channel, and the red LED will light up when it is active. The distortion channel can be put before (A B) or after (B A) the booster channel. When Side A is inactive, the blue LED will light up.

The Shape Control:

The midrange control on most amplifiers can be a great way to adjust the sound of your setup. It works with the tone control and can make your amp sound more aggressive by giving it more of a metal edge, or you can add a touch of Clapton woman tone.

For example, if you want to add aggression to your guitar tone, turn up the midrange control until it gives you the desired sound. Conversely, if you want to add extra sweetness to your sound, turn down the midrange control until it removes some of the harshnesses from your guitar tones.

If you want to cut through the mix, crank up the Shape control on your amp. But if you want to keep your front end safe, turn it down. That’s the lesson Guitar Center customer service instructor Dennis Clark learned when he accidentally turned up his amplifier’s Shape knob too high.

“I was playing a gig, and I started hearing this horrible distortion coming from my amp,” Clark says. “I turned down the gain, and it was fine, but I know that if I had turned up the Shape control even more, my amp would have blown.

Side B – The Range(master) Channel:

Side B is a high-headroom, distortion-free booster with a two-band (low and high) EQ. This preamp boosts the output linearly to keep the signal clean but accentuates the dynamics and harmonics of whatever you play. Its simple controls and no moving parts make it perfect for live use or recording.

DryBell, the pedal compared to the legendary Unit 67, has finally gotten its successor in The Engine. This pedal is modeled after DryBell s Unit 67 Pedal and shares many essential characteristics, minus the compressor.

DryBell The Engine can be used with the Unit 67 pedal s 1176-type compressor to get the best of both worlds, giving you sustain with controlled feedback that lasts forever. The Engine is perfect whether you want a powerful sustain effect or to add some grit to your sound.

The preamp has Range, Level, Low, and High controls to adjust the output and frequency spectrum of the booster. The white LED lights up when Side B is active. The booster channel can be put before (B A) or after (A B) the distortion channel. The Boost feature increases the volume without adding distortion.

The Range Control:

The Dallas Rangemaster is a legendary guitar used by some of the most excellent musicians in history. It has a unique sound that can be boosted with the Range and EQ controls on this guitar. The Range control adjusts specific upper-mid frequencies, while the EQ control boosts your sound in various characteristic ways. Boosting your treble without attenuating your guitar s bass response allows you to create an amplified vintage sound.

The Order Switch:

If you’re looking for a way to increase the distortion on your amplifier or guitar, stacking the distortion circuit before or after the booster is a great way to do it. The “order” switch on DryBell allows you to stack the distortion side in front of the booster with the push of a button. This gives your distortion more prominence and complex sound with warm overtones. Using this order gives your distortion more girth.

Stacking the booster side before the distortion side (B A) when using a guitar amplifier is usually better. This will amplify the distortion level to give it an edgy sound. The other way, A B, also sounds great. The B-A order puts your guitar in the foreground and makes your notes explode out of the amp when you dig in with the pick.

Control Summary:

Side A Controls	British Distortion Control Function
Level	Controls the volume level of Side A
Gain	Adds grit and dirt to the tone
Tone	Adjusts the high-frequency spectrum
Shape	Adjusts the mid-frequency character and level

Side B Controls	Boost (RangeMaster) Control Function
Level	Controls the volume level of Side B
Range	Adjusts specific mid-frequencies to add sparkle and bite
Low	Adjusts low frequencies from -15.8dB to +9.3 dB
High	Adjusts high-frequencies from -13.2dB to +7.2dB

Features And Benefits:

It Can Transform The Sound Of Your Amp:

The British Accent engine is a pedal designed to help make mediocre or bad-sounding amps sound good. It can be beneficial in certain situations, like when you are at a gig and stuck playing through a house guitar amp. This pedal can help make your guitar stand out, especially in venues with bad acoustics. The British Accent engine is available online and has a helpful tutorial DVD.

Two For The Price Of One:

The guitar pedal market is filled with options, but finding the right one can be daunting. With so many different brands, models, and prices, how do you know which pedal to buy? The answer is to use a combo pedal. A combo pedal combines the functions of two or more pedals into one unit, allowing you to save money by using two great pedals built into one unit.

DryBell The Engine is an excellent example of a combo pedal. It’s a pricey pedal, but you’re getting double the bang for your buck. If you want to add a distortion or overdrive/treble booster to your signal chain, The Engine can save you money with two great pedals built into one unit. The Engine will give you many more tonal possibilities with a much better signal-to-noise ratio than two separate pedals.

The Engine “Plays Nice” With Other Pedals:

Pedal enthusiasts rejoice! The DryBell guitar pedal has arrived, and it’s sure to please. Developed in collaboration with world-renowned effects guru Roger Mayer, the DryBell is a versatile and powerful effect that can be used with any guitar or bass.

Its intuitive interface makes it easy to get great sounds out of your instrument, and its advanced features will have you sonic masterpieces in no time. The DryBell is compatible with most pedal boards, making it an ideal addition to any rig. So what are you waiting for? Pick up a DryBell today!

Cranked Sound At “Bedroom Levels”:

Most guitar amps have at least one control to adjust the overall volume. This is usually the Master Volume, which allows you to blend in background noise from other instruments or vocals while still being able to hear your playing.

However, some guitar amps don’t have a Master Volume control and instead rely on the distortion side of the amp to adjust the overall volume. If you’re using an amp without a Master Volume control, turning it down can help get more of the full-throttle sound you need for practice sessions.

One downside of using an amp without a Master Volume control is that getting the level you need for practice sessions can be challenging without over-emphasizing your mistakes or having too much background noise.

What do I like About DryBell The Engine?

DryBell the engine is a new engine that promises to revolutionize how people communicate. It allows people to communicate without using water or any other liquid. The Engine was created by two college students looking for a way to improve the quality of their communication.

DryBell The Engine is based on sound waves and translates sound waves into electronic vibrations that computers can read. This technology has many potential applications, including deaf communication, military communications, and medical devices.

What Don’t I Like About The Engine?

DryBell The Engine is an excellent pedal for experienced guitar players or people with more money to spend. It is not typically a starting pedal for beginner guitar players or people on a tight budget, but it does offer some great features that many other pedals don’t.

One of the main reasons why this pedal is so powerful is because it uses an external power adaptor. This means that you can use it with any 9VDC power supply unit, which means that you can use it with any amp or guitar. This pedal also has 24dB of gain to get loud sounds out.

Finally, the Engine also has an effects loop so you can add additional effects to your signal before it goes into your amplifier.

Who Uses DryBell Pedals?

This list contains the permission of famous guitarists who have played DryBell products. This information was taken from DryBell’s website.

• Michael Landau
• Doyle Bramhall II – Eric Clapton, Roger Waters
• Jon Carin –  David Gilmour, Roger Waters
• John Mayer
• Steve Stevens – Billy Idol
• Joe Satriani
• Joe Perry – Aerosmith
• Brad Whitford – Aerosmith
• Eric Gales
• Richard Fortus – Guns N’ Roses
• Charlie Starr – Blackberry Smoke
• Joey Landreth
• Jacob Petersen – The Steve Miller Band
• Owen Barry – Tal Wilkenfeld
• Mick Hayes
• Nick Perri – Silvertide
• Jesse Johnson – The Time

• Vedran Božić – Time
• Vlatko Ćavar Brada – Psihomodo Pop
• Nebojša Antonijević Anton – Partibrejkers
• Miro Lesić
• Bruno Kovačić
• Scott Martinez – Alice Sweet Alice
• JP Cervoni – The Babys
• Gino Matteo – Bennett Matteo Band
• Gwyn Ashton
• Robinson Sartorius
• Jared Scharff – SNL
• Shane Henry
• Francesco D’Andrea
• Bob Fridzema – King King
• Thaddeus Hogarth – Thaddeus Hogarth Band 
• Geo Evan Geo – Race No More
• Jason “JJ Boogie” Reichert – Arrested Development

Technical Specifications For The Engine:

Specification	Value
Input impedance	900kΩ/1kHz
Output impedance	250 Ω/1kHz
Nominal current (with guitar)	83mA
Side A – max output level (9V PSU)	8.5 Vpp / 11.7 dBu
Side A – max output level (18V PSU)	10.1 Vpp / 13.3 dBu
Side A – max gain (all pots on max)	53dB / (mid-range freq.)
Side B – max output level	20.5 Vpp /19.2 dBu
Side B – max gain (all pots on max)	41.0 dB (mid-range freq.)
Max bypass level w/o clipping	14.0 Vpp / 16.1 dBu
Power supply connector type	Barrel, Plug 5.5mm/2.1mm, Center
Length (w/o jacks)	95 mm / 3.74 inch
Width	120 mm / 4.72 inch
Height (w/o knobs)	35 mm / 1.38 inch
Weight: (w/o package)	0.43 kg / 0.95 lb
Standard color/finish	Dark blue metallic matte / Powder Coating

Final Thoughts:

DryBell The Engine is an excellent choice for businesses that need a reliable and efficient engine. Its features make it a top contender, such as its small file size and ability to run on most platforms. With these features, businesses can save time and money while receiving the high-quality output.

FAQ’s:

Read more…

Fender Tone Master Review – Check Out The New Super Reverb!